Adam Roberts

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Mike Telin, Cleveland Classical

November 10, 2021 By

The alluring work contrasts soft, melodic lines with a range of harmonics and glissandi that create a kaleidoscope of sound.

klang – new music on the fringe

September 28, 2017 By

Nostalgia Variations by Adam Roberts is the capstone work of the album, clocking in at just a little over 20 minutes…Roberts crafted a wonderfully elaborate piece based on a simple idea and Transient Canvas did a masterful job executing that vision, and it is a perfect choice as the closing piece for the album.

Gapplegate Classical Modern Music Review

September 28, 2017 By

The longest and perhaps most ambitious of the works concludes the program, namely Adam Roberts’ “Nostalgic Variations” (2015).

Boston Globe Review

June 4, 2014 By

Roberts’s fractured, attractively kinetic score, for chamber ensemble and electronics, keeps the ear engaged throughout the 90-minute work.

Boston Classical Review

June 4, 2014 By

The drama’s raw emotion is enhanced by Roberts’ music, which contains an attractive mix of the familiar and exotic. An ensemble of clarinet, saxophone, cello, percussion, and electronics combine jazzy and disjointed melodies into a sparkling collage. But for the meditation scenes, Roberts’ vocal writing becomes otherworldly, where the undulating vibratos and throaty tones of Middle Eastern chant mix with a wash of electronics for a haunting and beautiful effect. 

Consequence of Sound Review

June 4, 2014 By

…bubbling with polyphonic intricacy and intensity.

Boston Musical Intelligencer Review

June 4, 2014 By

In his amazingly lush score, Roberts employs electronics, and the resources of his four singers, and four instrumentalists to create “two distinct musical spaces” that translate the life of the mystic poet Rumi into a “modern tale set somewhere in the Midwest.”…In all, this opera is quite successful and makes for a powerful evening.

I Care If You Listen Review

June 4, 2014 By

…urgently dynamic, well-made, and strangely moving…a formidable ear, possessed of a compositional toolbox that would be the envy of any of his contemporaries.

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